Artificial intelligence is on the rise, even in art. How does the art world react to it? Do artists embrace or reject AI? And does this development devalue art?
On the search for answers in Vienna this is a multimedia story about the integration of artificial intelligence into the life of artists.
We ask that, if you have any respect for human artists, you cancel the auction.
5,845 artists
Source USA 2025: tripleareview.com
of people don’t believe AI-generated works should be called “art”
of artists believe AI will negatively impact their income
of artists fear current copyright laws are outdated for handling AI art
The price of the most expensive AI-painting was created by artificial intelligence.
Portrait of Edmond Belamy, 2018, created by GAN (Generative Adversarial Network). Sold on 25 October 2018 at Christie’s in New York
Source: playform
The gallery Base AT4 in the 7th district in Vienna exhibits works of local artists. Some of them use artificial intelligence for their pieces, among them Ana Vollwesen. Her AI-supported prints revolve mostly around societal issues.
Another artist who incorporates AI is Anna Pelz. The 27-year-old sees artificial intelligence as an opportunity to try out new things and wants to change AI for the better.
As we see in the Christie’s case, opinions differ on the use of artificial intelligence in art. There are artists who excitedly incorporate it in their work, others see it as a threat.
Looking at the current discussion one could think that history repeats itself here. In the past many new technologies have been met with fear when t hey were first introduced. For example, one of the arguments made against photography was: “When photography becomes perfect, artists will have nothing else to do”. Now, looking back we know that this didn’t happen.
The conversation certainly poses some very important philosophical and ethical questions about the role of art and artists in our society. Who owns the art? What even is creativity? These are topics Johannes Grenzfurthner thinks about.
When I used ChatGPT for the first time, I thought that nothing is going to be like it has been before.
Johannes Grenzfurthner
Artificial Intelligence has become a powerful tool in the world of art, expanding creative possibilities and challenging traditional notions of authorship and originality. While AI-generated art can enhance human creativity, automate boring tasks, and push the boundaries of artistic expression, it also raises ethical and legal concerns as we see in the example of the Christie’s auction.
Ultimately, AI in art is a double-edged sword. While it democratizes creativity and accelerates production, it also forces us to rethink artistic authenticity and value. One thing we can be sure about is that AI won’t suddenly vanish from creative spaces. It is going to stay and artists are the ones who have to decide what to make of it.
Sigrid Debois Reuss, Anastasiia Shpylka, Mehriban Karimova, Viktoriia Polshyna, Anna Recla
Mentor: Yvonne Widler